“When I file a complaint against the former priest Olivier de Scitivaux, I compulsively pick up the camera. I've forgotten everything about my childhood, and my parents are entangled in denial. I didn't expect the procedure to take so long. Above all, I never thought I'd ask myself one day: what happened to my body? And who knew? ”

In a cinematic gesture in the first person, both intimate and political, This is My Body examines the micro-histories that make up rape culture, memory as an unfathomable drawer.
 

Twin Fences by Yana Osman is a quirky documentary that follows her journey through Russia, Ukraine and Afghanistan, with the focus on fences, exploring their meaning as both physical and metaphorical concepts. The film focuses on the PO – 2 fence, a concrete fence design that became a symbol of the Soviet era architecture and uses it as a starting point to examine how architecture divides and contains communities and nations. The film uses physical fences to depict the figurative ones created by history, war and ideology thus posing the question: “Who creates these fences?”