Mothers talk about their experiences. What expectations are placed on them, and what are the personal and social challenges they face? From nuclear families and single parents to homosexual parents and motherhood through artificial insemination, everything is represented. Layer by layer, outdated and reversed role models and the breaking of social norms become visible. Motherhood between hard work and euphoria.

A brother and sister return home from the capital for Christmas. They are the "prodigal sons" who left the countryside but are now returning after a long absence to reunite with childhood friends and first loves. They hold a party. They drink heavily. Nothing is the same as before.

On the outskirts of Budapest, deep in the woods, stands a small, crumbling hut. Inside, two social outcasts have created an unlikely bond. Fanni, a 19-year-old transgender girl, and Laci, a 60-year-old homeless man, support each other as a makeshift father and daughter, building a fragile sense of home on the margins of Hungarian society. Life is harsh, but it is theirs.
This intimate coming-of-age documentary explores home, family, and acceptance while reflecting the struggles of Hungary’s LGBTQ community. Since 2020, government laws have banned gender changes on official documents and restricted access to LGBTQ content for minors, fueling fear, censorship, and hate. Created without state funding and supported only by private and foreign sources, the film stands as both a personal story and a quiet act of resistance.

“When I file a complaint against the former priest Olivier de Scitivaux, I compulsively pick up the camera. I've forgotten everything about my childhood, and my parents are entangled in denial. I didn't expect the procedure to take so long. Above all, I never thought I'd ask myself one day: what happened to my body? And who knew? ”

In a cinematic gesture in the first person, both intimate and political, This is My Body examines the micro-histories that make up rape culture, memory as an unfathomable drawer.
 

Twin Fences by Yana Osman is a quirky documentary that follows her journey through Russia, Ukraine and Afghanistan, with the focus on fences, exploring their meaning as both physical and metaphorical concepts. The film focuses on the PO – 2 fence, a concrete fence design that became a symbol of the Soviet era architecture and uses it as a starting point to examine how architecture divides and contains communities and nations. The film uses physical fences to depict the figurative ones created by history, war and ideology thus posing the question: “Who creates these fences?”